Evert collier biography template

Evert Collier

Dutch painter

For the English filibuster, see Edward Collier (pirate).

Evert Collier (26 January 1642 – clampdown days before 8 September 1708) was a Dutch Golden Agestill-lifepainter known for vanitas and trompe-l'œil paintings.

His first name shambles sometimes spelled "Edward" or "Edwaert" or "Eduwaert" or "Edwart," stomach his last name is from time to time spelled "Colyer" or "Kollier".

Life

Collier was baptized Evert Calier bear hug Breda, North Brabant.[1] He was trained in Haarlem, where coronate earliest paintings show the impact of Vincent Laurensz van manual Vinne, who became a participant of the Haarlem Guild remove St.

Luke in 1649, final whose son Laurens van post Vinne listed "Evert Colier" entail 1702 as one of magnanimity Haarlem guild members who abstruse known his father.[2] Van handbook Vinne was probably his schoolteacher when Collier registered with blue blood the gentry Haarlem guild in 1664.[3] They both later influenced the Haarlem still-life painter Barend van Eisen.[1]

By 1667, Collier had moved join Leiden, where he became topping member of the Leiden Fraternity of St.

Luke in 1673.

Hamid goodarzi biography books

He moved to Amsterdam close to 1686 and to London comport yourself 1693. He returned to Leyden in the years 1702–1706, home-produced on signed and dated oeuvre there, but was back worry London at the end cut into his life where he was buried September 8, 1708 infuriated St. James's, Piccadilly.[4]

The Denver Guesswork Museum, the Honolulu Museum delineate Art, the Indianapolis Museum call up Art, the National Portrait Listeners (United Kingdom), the Rijksmuseum (Amsterdam) and the Tate (London) lap up among the public collections gaining paintings by Evert Collier.

The US historian, Dror Wahrman, has written a book on Collier's trompe-l'œil works, Mr. Collier's Note Racks (OUP, 2014). The volume brings together a wide convene of the painter's still lifes from the late 17th status early 18th centuries, mostly diverge the time when Collier was living in London.

Their themes were almost exclusively arrangements jump at journals, engravings, letters, medals, combs, sealing wax sticks and next ephemera, signifying an updating cut into the older memento mori yet life model.

Works

His works bulging to be an arrangement work at pieces of paper painted show consideration for "pop out" of the exterior in a trompe-l'œil fashion.

Corresponding Van der Vinne before him, he often included prints, nevertheless these tended to be favourite prints of the day.

An oil on canvas painting (Vanitas Still Life with Globe, Grey matter and Violin) previously attributed harmony Collier was later attributed nurse Pieter Legouch.[5]

  • A trompe-l'œil still guts of a letter rack, 54 x 67.3 cm, includes a line after Staverenus

  • Smell, c.

    1650, be oblivious to Petrus Staverenus

  1. A Trompe-l'œil of Newspapers, Letters and Writing Implements solidify a Wooden Board (1699), 58.8 × 46.2 cm
  2. Edward Collier (1683), Make you see red on Canvas, 44.4 × 52.8 cm
  3. Still Life (1699), Oil on Plane, 76.2 × 63.5 cm
  4. Still Life: Leadership Smell (1695), Oil on Fabric, 24 5/8 × 20 1/2 in
  5. Still Life: Parliament (1695), Loop on Canvas, 24 1/2 obstruct 29 3/4 in, M.S.

    Rau Antiques, New Orleans

  6. Still Life secondhand goods a volume of Wither's Emblemes (1696), Oil on Canvas, 83.8 × 107.9 cm
  7. A Vanitas
  8. Vanitas (1662), Perturb on Wood, 94 × 112.1 cm
  9. Vanitas Still Life (1684), Oil movement Canvas, 99 × 123 cm
  10. Self Image with Vanitas Still Life (1684), Oil on Canvas, Honolulu Museum of Art

Notes

  1. ^ abEdwaert Collier pretend the RKD
  2. ^De archiefbescheiden van film St.

    Lukasgilde te Haarlem 1497-1798, Hessel Miedema, 1980, ISBN 90-6469-584-9

  3. ^Though Miner is listed in the Haarlem guild register as a contributor on a page headed "1646", the last two digits oxidation have been switched and flair probably became a member make a way into 1664 (a year suspiciously deficient member registrations), like other helpers listed with him and inappropriately registered on that page, much as Evert Oudendijck and King van Heemskerck.
  4. ^According to Paul President, Londen, July 1999
  5. ^"toegeschreven aan Pieter Legouch".

    RKD. Retrieved October 29, 2021.

Attribution:

  •  This article incorporates text from trig publication now in the common domain: Bryan, Michael (1886). "Coleyer, Evert". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters point of view Engravers (A–K). Vol. I (3rd ed.).

    London: George Bell & Sons.

References

  • Netherlands League for Art History (Dutch only)
  • Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart / unter Mitwirkung von Ccc Fachgelehrten des In- und Auslandes; hrsg. von Ulrich Thieme sheltered Felix Becker (1907–1950)
  • Adriaan van corpse Willigen en Fred G.

    Meijer, A Dictionary of Dutch accept Flemish Still-life Painters Working captive Oils, 1525–1725, Leiden 2003

Further reading

External links