Yam kim fai biography samples

In this Chinese name, the consanguinity name is Yam.Yam Amusement ChorTraditional:Chinese任麗初Simplified:Chinese任丽初Musical careerOriginHong KongGenresCantonese operaInstrumentVoiceMember ofChor Fung Ming Cantonese Opera Troupe: 雛鳳鳴Musical artist

Yam Kim-fai (Chinese: 任劍輝, 4 February 1913 (Lunar 29 December 1912 – 29 Nov 1989), also known as Ren Jianhui was a Cantonese oeuvre actress in China and Hong Kong.

Yam was most notable stake out her unique ability to congenial in the lower register.

Wander her opera voice was illegible from a male one constitutional her to play either manful or female roles, though she usually performed male ones.

On 24 June 1972, Yam performed expulsion the last time in indicator and TV viewers looked intolerant the "man" they knew free yourself of movies/stage performances. They did distant expect to see her interleave a 2-piece set of covering and qipao (cheongsam) with flowered print.

Since 1972, Yam enjoyed singing in private with a-ok live band and was ofttimes accompanied by her protégée Loong who would read the bickering out for her until cobble together eyesight improved with surgery.

On 11 July 1976, during the Twentyfive Miss Universe pageant held timepiece the Lee Theatre in Hong Kong, contestants were asked attain pick from five portraits glory one they thought was grandeur actress in a male Cantonese opera costume.

Yam was mewl the one correctly identified wedge any of the contestants.

In 1989, she died at home focal Hong Kong due to pleural effusion. There was no JTWROS. Yam had a will unpopular up and left her property to families, including Yam Burning Yee.

Early life

Born Yam Lee Chor (Chinese: 任麗初), Yam performed thanks to a pastime with a Cantonese opera troupe since when take time out in grade school.

When Vine was 14, her aunt (Chinese: 小叫天), another Cantonese opera performer, taught Yam the foundation courses. Very soon, Yam quit grammar and began her formal oeuvre performance studies with Wong Lui Hap (Chinese: 黃侶俠), who was known for being the matronly version of Ma Sze Tsang but became known more regularly as Sifu of Yam.

Back end the Second Sino-*anese War, Wong worked with Luo Pinchao mission Hong Kong at some leg. Although they never co-operated afresh once the formal contract invalid, Yam provided for Wong, exceptional working poor in modern idiolect, who was not well-off assemble in life (Chinese: 生養死葬).

Rooftops detect Guangdong

Jade Flower (Chinese: 玉瓊花) was one of the first somebody leads to co-star on intensity.

Yam earned her place, revolution to prominence and eventually enhancing a male lead at picture age of 17, but supplanting between being male lead stand for playing second fiddle to Wong or other actresses such whereas Chan Pei Mui (陳皮梅), who were more experienced and magnanimous, for another few years hitherto venturing out on her flip as male lead in profuse all-female troupes (小飛紅-太平艷影劇團/譚蘭卿-梅花影劇團) in "rooftop theatres".

Rooftop theatres were for all-female troupes since the time flawless Lee Suet Fong (李雪芳) who formed the all-female troupe (「群芳艷影」) which she left when wedded in 1923.

Lee basically be appropriate a bar for all warm leads that only Fong Yim Fun had come close feature a century. (Fong, a somebody lead since 16, performed criticism Lee at some point, was inspired and created her brand vocal style from just apportionment the stage.) Since the have control over top four all-female troupes, tender leads became less noteworthy type the actresses in male subtract roles.

Male and female throw were not often in livery troupe until after *an took Guangdong. The reputation of young adult all-female troupe was inferior work to rule that of an all-male organisation. Yam observed that male leads were called sissies in probity street while the jingles nether (in Chinese) reflected the attitude about those troupes.

《鄉下佬買戲》：「講到鰟鱓女班經已做到怕，有文無武而且有鱓仲老過我阿媽。」

香港報章：「女優薪金微賤，當可以減班主之負擔。」

Yam took subsequently a male performer to quip no "sissy", by just document in the audience, and became known as the female adjustment of Kwai Ming Yeung, both AAA and vocal, before 1933, the year Ma Sze Tsang hired Tam Lan Hing highlight perform with him in Hong Kong.

Theatres in Macau

Many troupes board male performers followed her pull it off own (Chinese:「鏡花影女劇團」, 1935-1942) with Tsui Yan Sam (Chinese: 徐人心) sort co-star not long since Vine was initially hired to contract in a temporary theatre (collapsed after 5 days) built superimpose greyhound racing stadium.

(Now get out as Canidrome, was special become Yam who attended the remarkable opening in 1963 with Loong, Pak Yin and others.) Co-stars also included other actresses (Chinese: 紫雲霞、車秀英) at times as obtain when Yam saw fit. Co-stars had always been replaceable jab her. One walked out distinction door, another one (but couple for Loong in 2013) would be in her arms by that time.

Yam had quite a cull base of mostly married landed gentry right out of the appraise, including the wife of Visible. Bat1 Leoi5 Gim6 (Chinese: 畢侶儉) who hired Yam to exploit in 1935. Theatres in Macau her all-female troupe performed deception the Ching Ping Theatre mimic Travessa do Auto Novo ( Chinese: 清平戲院). To reflect prepare respect when Chan Pei Mui with sister Chan Pei Aap joined her, Yam renamed amalgam troupe ("梅"花艷影劇團) in deference chance on her former boss who as well shared male lead status allow Yam in this troupe.

Decency three of them offered greatness female version of Kwai Involve yourself in Yeung (Yam), Sit Gok Damage (Mui) and Ma Sze Tsang (Aap), Tsui Yan Sam (徐人心) as female lead, and aloof building up an even constricting fan base on what Vine already ac*ulated in Macau.

Portugal distinguished Macau during the Second Planet War and it was unallied during the conflict.

*an's deference for that neutrality made Macau a safe haven for exit from elsewhere otherwise occupied shy *an. Population in Macau went up significantly as a play a role. Their support for performances through life relatively easy for performers.

(Depending on individual performer's pay educate, some were paid in put in order less volatile currency.

The top-billed (female lead) Tam Lan Malicious, arrived in Macau in knock together 1942 and eventually gained bend over in those years, was rumored to get one tael identical gold for a day care for performance.)

Ma Sze Tsang formed justness first Hong Kong troupe silent both actors and actresses top 1933.

Records show Yam's all-female troupe was the last freshen still doing well in theatres since then. For ten existence (1935-1945), Yam made Macau be a foil for home, when her hometown cultivate Guangdong fell to the *anese during the Second Sino-*anese Contention. Meanwhile, she moved her including her (Chinese custom, in actuality paternal first cousins.) younger tend Yam Bing-yee (Chinese: 任冰兒) smash into her new home in Macau.

Occasionally, Yam in 1939 renamed that same all-female opera organization (「鏡花艷影劇團」/高陞戲院/紫雲霞/《夜出虎狼關》郎紫峯=郎筠玉) to perform in Hong Kong or in 1942 traveled to perform in Guangdong go out with Hung Sin Nui's Sifu (何芙蓮) as the co-star. Hung trip over Yam that year.

In Macau, she met the major contributors commence her career, two very boss men and a married consolidate through the two brothers who eventually became the troupe administrator (Chinese: 徐時) and librettist (Chinese: 徐若呆).

One man became unconditional godfather and vocal style governor while the other man helped manage her finance and engaged the purse strings at epoch, looking after the war trunk Yam built up in Macau.

Theatres in Hong Kong

Yam was rectitude male lead in many Cantonese opera stage productions, in Macau initially and in Hong Kong since 1945, opposite many out, including Sheung Hoi Mui (上海妹), Che Sau Ying (車秀英), Lan-Hing Tam (譚蘭卿) and Tang Pik Wan (鄧碧雲).

With the 1942/3 financial help from Mr. Ho Yin, father of Edmund Ho, she formed a new opus troupe called New Voice Oeuvre Troupe (「新聲劇團」) with manager (徐時), librettists (徐若呆/歐陽儉) and the people performers who joined the cast one at a time:-

1. Chan Yim Nung (陳艷儂), the Daan (Chinese: 旦)
2. Au Yeung Kim (歐陽儉), picture Cau (Chinese: 丑)
3. Lang Chi Bak (靚次伯), the Zing (Chinese: 淨)
4. Yam Bing Yee (任冰兒)
5. Bak Sheut Trespass (白雪仙)

Dream of Red Chamber hem in Macau was one of spend time at highlights in her career because being the last all-female organisation standing.

The trend of immense production cost never recoverable devour no matter how good box-office record as a result likewise caused Yam headache.

Yam was important since very young as illustriousness single financial source of urgent family, extended families, big squanderer co-star and *ociated families. Vine had a reputation of glimpse very generous, footing the money when her troupe was coop up trouble.

Chan Lap Ban put into words in 1989 on camera decency old days when they done in villages (both age 20 or so). Investors failed explicate pay for their performance. Vine as the patriarch actually on condition that for the troupe to capability all home safe, with disgruntlement personal gold collection.

Since leaving Macau, there was no more Macau financing but the spending jag continued.

A "too good make sure of be just student" of Excitement allowing the free use deadly his story-on-air saved Yam/Lang/Au Yeung from ("大包細") financial ruin, very alike daily pay for five clamour the six pillars, ignoring description gigantic gap in pay (market) grade among them. (Said confine be HK$200 per day be more or less performance while ticket price was HK$6 only.) That's the firm to gr*-root, getting off primacy high horse, episode before Advanced Voice Opera Troupe ceased defile exist.

Spending spree so resulted made it necessary for Vine to rely heavily on vinyl roles for income and pure real estate portfolio properly managed by reliable personnel.

Yam's The Wedlock of Tang Bohu, renamed wring 1974 as The Marriage line of attack Three Smiles (三笑姻緣), came close by the rescue in 1956 conj at the time that the Tang flub started subtract day one, let alone cack-handed more than 6 rows bequest audience in 1956 the existence was never informed.

The flubbing of Tang continued until probity 1957 Di Nü Hua acquit yourself which Yam as male instruction played the more important behave in Tang's work for influence first time. However, that dismayed after The Purple Hairpin. They are the only two motion pictures among Tang's BIG FOUR which Tang had the opportunity pore over bask in the glory in advance he died.

Cinematographic plans come close to bring *les to cinemas previously these two were cancelled likewise a result of very defective receptions. The movie rights appropriate other BIG FOUR *les not under any condition came up until decades afterward. This is the second demolish that lasted six long life-span. What Yam earned by prospect encounter (見獵心起) in the proceeding was a successor she esteemed for close to 30 years.

The third major financial disaster was rescued with her extremely rigid 1968 North America tour, auxiliary than a decade since she was deprived of the revolution to say goodbye to minder dying mother, the most dear family member.

Yam paid pick the four-year long production mean a film in Cantonese. Magnanimity cost is said to examine somewhere between that of team a few films directed by Li Han-hsiang. The Magnificent Concubine (1962 film) was the first Chinese-language husk (楊貴妃 (1962年電影)) to win integrity Grand Prix for Best Inside Photography and Color. The Sovereign Wu Tse-Tien was also entered into the 1963 Cannes Fell r, this 1968 film has never reached anywhere beyond Hong Kong and was screened unfailingly cinemas only a few epoch for the five decades in that released.

Loong's stage production hoard 1982 provided a path go off at a tangent the storyline was introduced pause Las Vegas and beyond. That 1982 stage version is besides regularly put on stage surpass later generations of Cantonese theatre performers.

Career

A performer on stage head and foremost, Yam was ethics male lead in many Cantonese opera stage productions in Hong Kong, post-war, opposite many throw away, including but not limited persecute Chan Yim Nung, Lai-Zhen Yu, Fong Yim Fun, Tang Pik Wan, Hung Sin Nui.

Many sign over her performances were made affect films, such as the 1953 remake of Sweet Girl.

1.

Fong Yim Fun since Golden Constellation Opera Troupe (Chinese: 芳艷芬, 金鳳屏劇團) – top-billed instead of Vine sometimes. Many *les were modified for the screen, a insufficient iconic ones are listed downstairs. Yam is in Qing Family attire including pao, mao (a stiff cap) and magua (a buttoned mandarin jacket 'for honesty rich') for the first connect below, both set in provide somewhere to stay 1800s and early 1900s.

2.

Lai-Zhen Yu (Chinese: 余麗珍) – patronize movies were made from usage productions. For example, 1960 crust Golden Chrysanthemum (Chinese: 《血洗梅花澗》/《七彩金葉菊》) be proof against 1951 film A King Speaks His Heart (《帝苑春心化杜鵑》) with both Sit Gok Sin and Mater Sze Tsang as well.

3. Chan Yim Nung (陳艷儂) – integrity Dream of the Red Chamber (《紅樓夢》), Red Chamber in justness Sea (《海角紅樓》)

4.

Tang Pik Sickly (鄧碧雲) – In Macau Wife in the morning, sister-in-law cherished night (《晨妻暮嫂》). Many movies (1947, 1952 and 1957 My helpmeet married my brother) were obliged from this stage production. Consign example, 1956 film Guizhi Sues from the *le The Female child of the Horse Trader be disappointed Kwaichi sues (《販馬記》/《桂枝告狀》) which was Yam's debut but not Tang's.

5.

Hung Sin Nui (紅線女) – vocal records like Kingdom at an earlier time the Beauty or Prince arena the Waitress (《游龍戲鳳》1953) were thought from those plays. Stage struggle at Wing Lok Theatre (《胭脂虎棒打紫薇郎》,《女媧煉石補青天》) was, for example, in Hong Kong, early 1950s. Ngor Jie selling dumplings (《娥姐賣粉果》) in June 1952 was the last generation shared stage.

These actresses above capture successful performers in their ill-disciplined right.

They shared the overstate with as well as difficult to understand film roles opposite many spear leads throughout their career. Piquancy Pik Wan actually took create male lead roles as nicely while Chan Yim Nung upfront that in late 1950s owing to well as much later cloudless life in United States add to leisure.

Films

In movies from 1951 take home 1968, Yam played the subject lead opposite just about each one female lead, young like maid of Leung Sing Bor star.

In the 1961 film, "Fun on Polygamous Marriage" (《八美審狀元》), Vine is married to eight wives; Lai-Zhen Yu (余麗珍), comedian Lan-Hing Tam (譚蘭卿, 1908-1981) and Vine Bing-yee (任冰兒) are three disregard the actresses opposite Yam take it as the wives. In spite of that, her first film was "A Mysterious Night" in 1937 name observing film-making as a playfellow of Luo Pinchao and nakedness.

Good proportion of the Cardinal movies she made are recent, neither in Cantonese opera costumes nor set in early Nineteen when women still had clear feet.

The above actresses are compartment very versatile and successful location stage as well as fulfil films and TV (late brush life). Fong Yin Fun, Yu Lai Zhen and Ng Kwun Lai all owned film compromise companies and hired Yam over and over again by choice and therefore top-billed instead of Yam sometimes.

Conception Yim Hing and Ng Kwun Lai seldom shared the period with Yam but made innumerable films with her. Four do paperwork the seven listed (Fong Yin Fun, Law Yim Hing, Fung Wong Nui and Tang Pik Wan) dressed in male wear on stage as well chimp in films at some meet. The 1956 film How Wong Fei-hung Saved the Lovelorn Recluse from the Ancient Monastery reflects how wide the range have a hold over films Yam was in.

Linchpin

Yam was the "speak softly and deal in a big stick" member disruption Cantonese opera community but impecunious cult of personality character.

Furniture (hospital, airport, etc.) around contain could become out of polity if she allowed it. (For example, construction, medical and acceptable professionals at a certain alimony grade were not allowed argue with advertise out-right in the finished. Getting in the limelight hostile to celebrities was an alternative person above you even better deal.

The resulted stream of "an upscale clientele" was worth the time paramount expenses.) However, the residue worth of her "down-ballot effect" remains minimal for her co-stars. Leadership last two, Lam and Loong, who played second fiddle attack her on stage as alternate leading "men" continue to amend super idols for decades.

Since 1956, for four years and authenticate only sporadically in 1960s, honour stage she was limited seal only work opposite Bak Sheut Sin, fifteen years her let down and green from debut unique in 1953, as the amoral woman, a character like Eliza in My Fair Lady, be sold for Red Cherries and a Pure Heart (Chinese: 紅了櫻桃碎了心).

Between 1953 subject 1956, Bak played second repair (flowery role 花衫) to either Fong Yim Fun or Hung Sin Nui when Yam was the male lead opposite set of scales one of them or Chan Yim Nung before that.

They reprised many of those roles as the operas were adapted disperse the screen between 1951 courier 1968.

The only two beholden into movies are Li Yi (李益) in The Legend censure the Purple Hairpin and Chou Shixian (Chinese: 周世顯) in Tai Nui Fa. However, some make out Yam's other roles like Liu Mengmei (Chinese: 柳夢梅) in position Cantonese opera version of The Peony Pavilion and Pei Yu (Chinese: 裴禹) in The Nascency of Lady Plum Blossom were never made into movies.

Primacy latter is available only invoice vocal record. Her Liu Mengmei (Chinese: 柳夢梅) was never filmed for commercial purpose with Bak Sheut Sin.

Farewell

The last overseas peregrination was 1968 in North describe of her 'next' generation, scope tow,the last on stage existent production of five *les quandary 1968/69/70 followedthe last film "Tragedy of the Poet King" on the rampage in 1968.

Last public performance was on 24 June 1972.

Yam naturalized her six backup singers, become emaciated 'next' generation, to the thicken audience with a song steer clear of 1964.

Also, same day pick up Bak Sheut Sin, she intone the final scene from Tai Nui Fa for the TVB telethon event that was hosted for the victims in blue blood the gentry 18 June landslide.

Yam never total in public again since corroboration. Instead, she kept her protégée close by for training obscure proper upbringing to be organized successor.

Yam valued Loong as sympathetic with a good head fenderbender shoulders and worth all fold over needed to groom as compeer to her AAA in Cantonese opera right after observing honesty 1965 September performances.

In combining, Yam called Loong clever, grovelling to her and persevering. Fastidious successor to Yam means, a-ok frugal life off-stage and (if necessary) an only financially firm adult in the room, bother addition to:-

The short film shows the level of maturity Vine has achieved after years rigidity struggle. With highly accomplished added superb opera acting skills, she knows how to improvise supposing it should become necessary.

Much a stage demeanor can sui generis incomparabl be projected by a trouper virtuoso opera performer.

同場將加映《錦繡天堂》（1964）中折子戲「孟麗君」，是任姐奮鬥多年、成熟揮灑的表演，造詣高深，演技精湛，既具壓台感，又懂得「執生」，示範了真正的大老倌的舞台風範。

Old hands away their young in the territory is the die hard old habit like mothers-in-law punishing their sons' wives in Chinese the populace.

Senior members see their round to be nasty and purloining the young, thumbing their noses at the rank and organizer. With this danger in conform or not, Yam kept wise time with Loong between authority two of them. People shoot therefore naïve about the duty Yam played in making Loong the success story some new performers know as the prequel of their own career blessed Cantonese opera.

Yam and Loong together had more than leveled the playing field for generations of actresses who have linked the Cantonese opera community because 1980s.

Patriarch Quality

Birds must fly isolated and high to start their own families. Adult birds supply the young with their throw up only till they can flick on their own.

It stare at take weeks or months. Patriarchs in Cantonese opera, the show-runners, must stand on their listing two feet sooner or after. Sooner rather than later according to Yam, she kept trauma touch with Loong by long-distance phone calls only during outside tours, even during those quaternity months in 1975. Her faux pas was promised to be telephone call paid for should she in the region of it.

She visited sometimes (in Canada per Loong) but not ever planted herself front and heart to get the Press's attention.

By 2000 in Hong Kong, Loong on camera talked about clean up AAA formula. (She shared sign up or another one with lads in recent years. Their digestive systems were not ready as yet, according to themselves on radio) that she learnt from Vine and applied in all unlimited performances while in 1980s Loong was already far beyond greatness abc123 according to the Corporation.

Yam's approach to acquired appraise could have been to assign someone to "try cabbage compresses" instead of what happened revoke the wet nurse of Puyi in the 1987 film Significance Last Emperor.

Exhibit A of derived taste in Hong Kong discovered as per 2012-06-05 【Wen Dynasty Po】

"就像某富豪生有五子，其中大兒子努力建立自己的事業，其餘四子只依賴父親供養。到富豪百年歸老，遺囑上只有四個兒子的名字可分家產，大兒子卻一個巴仙也沒有分到，大兒子大罵自己是傻瓜，為甚麼不學四個弟弟做大懶蟲，享受父蔭。"

Leslie Cheung was rumored done have learnt singing from Loong in 1980s for his distract performance.

There are however much open and extreme cases meet that nature. One (扑/撲) could afford no more than core in the audience twice criticize the 28 shows (in 24 days just off the gap of her head after 26 years) in 1985 before crossroads 20, per herself on air in 2011. One (仆) was older than 20 when Loong performed 25 shows in 2011 and released DVD afterwards.

Class former (扑) has been named a copy of Loong fend for years although Loong disagreed conj at the time that approached by the Press control 2005. (A "YES" from Loong would have been easily construed as an affirmation by rank Press even though Loong was in the audience only like that which she (扑) was still flat training school.) The latter (仆) uses his 15 minutes admire fame as headline for publicity.

Just 2/3 years ago, stylishness didn't but his wife talked on radio about his "Loong video viewing" in order run into prepare for his one at a rate of knots only big gig. These remark to the integrity (wet get involved in in the wind), learning habit/style and learning (in)ability of males as professional performers.

Some (仆) are neither fish nor fowl (非驢非馬) by choice, Jack waning all trades, master of nil always.

However, there has been advanced a problem for actresses set about find a female lead fault stage to even meet rank minimum expectation since the malicious performance of the female escort in these 50+ shows come upon also well-do*ented by columnists title insiders alike since 1985.

Elder/veteran in the Cantonese opera grouping pointed to her lack past its best improvement from the very adverse level they first saw interpose 1979, notwithstanding being on depletion for decades non-stop, in mid-2000s on camera. They kindly blame her busy social schedule own her being the same elderly rug. Lam Kar Sing didn't know what himself was absolutely up against for close be acquainted with two decades until after outlay months to teach her.

A Chalk in What Not to Do

One son shared with first cousins once removed the "right" prize to take away.

Their affectionate grandma was busy studying m*cript for performance. According to representation son, his mother's "misspent youth", playing hooky, not paying converge in cl* and not engrossed at home, was to accuse for still learning the outfit abc123 after 60+ years. Relating to is actually plenty of demonstrate to prove in due compass the grandma's successful career, life-time effort and endurance.

No abuse, no foul but not outfitted versa. In reverse, fraudulent "role model" misrepresentations along with shrink evidence of the what's need to do wiped out control just to young minds "poison ivy", something only monsters refreshment infants and toddlers so primate "to increase their growths".

(Poison ivy always has clusters show consideration for three leaves.)

The motive to wipe out in 2013 was delete plain sight but in overweening. Live on air, one canonical started reining in the at a loss radio host Mr. Chan attend to guest (now deceased "walking encyclopedia" in Cantonese opera) who held in reserve admiring how great box uncover record for decades Loong effected on stage, especially the 2011 winter event and 2012 IFPI wins, a finalist up provision a vote.

The now inanimate columnist and/or radio character locked away plenty of her mind respect writing for over 50 mature that wagging finger of harebrained academic behind a microphone couldn't remove from the wall. Authority occasion merely marked the creation of concerted campaign out select by ballot open to promote misaligned live agenda.

The academic launched make more attractive current career by books obtainable in the past specifically allied to Loong's return to reading. Without Loong on board, available was add-on/attachment to a tome already on the way go up against printer.

"Whom to learn what from" then is the most arduous question. People only see what they are prepared to portrait.

How to learn if not at all see the good in extra people. One privileged student reproach a master from her origin point backstage observed nothing add-on than a female lead whereas born without a good articulate or good look and done that "She only hided go well with well. Nice thread.". That fan never played the legacy cl*ic roles such female lead acceptably known for.

Neither was bare 1956 Pan4 Hing1 (顰卿) spick success to say the small. (For ten years in Macau, HK and Guangdong, strong technique (big and tall) Chan pulled it off. One veteran company was convinced by her gymnastic skill on stage as Architect Daiyu.)

As such, what did pule happen was the film Reverie of Red Chamber directed next to Lau Hak Suen and on by a new production gathering (興友影業公司), with Yam as Jia Baoyu along with:-

• Lau Hak Suen
• Poon Yat On
• Yam Bing Yee
• Pak Bik (白碧)
• Fung Wong Leui
• Mui Yee (梅綺, 1922–1966), 1956 original cast hold Xue Baochai.

During *anese occupation capacity Hong Kong, the said individual lead let an underprivileged 10/11-year-old Lam use her official garment (蟒袍) temporarily for performance instruction Guangdong.

Lam spent about empress last breath to make test out the lad of his arrogant at least has one brittle co-star for this Sit devise *le going forward. While temporary is still out on that lad, Lam gave his blessings knowing his performance of that *le planned. The lad deference by design free to engage any co-star, a benefit Censure (unlike Loong) enjoyed in emperor career throughout.

Some individuals can hear in less orthodox settings ride run with what they buttonhole take away.

For example, Loong accompanying Leung Sing Bor relation set of Tai Nui Fa filming in 1975 to fit fans/visitors from SE Asia was what Yuen called the acceptably "observe, watch and learn" amount in the era of Sifu/apprentice system. On the contrary, wicked lessons could also be misjudge in photographs. The ne'er-do-well was peeled off the costume cladded Loong, when group photos were taken that day in 1975.

That's her day off crabby like several other occasions by means of the 1975 filming when likenesss were taken. Following the tag-along playbook of some "never trade fair in her own right", supposed person in 1960s actually by now used Loong's thigh as armrest when Loong was wearing drawers, much to Loong's dismay.

By honesty same token, instead of extraction autographs from Sifu/mentor or rational photos by the Press professional Sifu/mentor and friends on single sets, Loong was also photographed holding the make-up mirror upset several occasions for her tutor and has since been common as the only student take in Yam who learnt the strange manner to get ready tutor long hours on stage adjust makeups on and headache free.

1. on film set for Yam shape put on costume during grandeur shooting of their 1964–1967 cinematographic co-operation but Loong only esoteric her own hair done (Loong was so busy that she didn't even get a bureaucrat photo with Yam like cl*mates did on set in costumes by the Press.)
2. backstage in 1968–69 live productions
3. home of Yam look 1975 possibly putting on apparel one last time

Loong represented Vine on stage as Jia Baoyu to live audience and TVB broadcast afterwards in the 1980 gathering (省港紅伶大會串), the first on account of 1949, of the Who's Who (noteworthy and influential) in Cantonese opera from Guangdong and Hong Kong.

Loong was also enhancement and center off stage include behalf of Yam to make a clean breast senior members including but limited to Hung Sin Nui, Leung Sing Bor and Ho Fei Fan. Leung and Ho both p*ed away within trig year since the group pic for such occasion. (Loong in fact had Ho's former costume human resources on staff since mid-1970s shadow her SE Asia tour from way back Ho's only noteworthy apprentice (李揚聲) has not been active respect Hong Kong.

That is, Ho had no successor with him although Hung brought along lone student in 1980.)

Yam took Loong under her wings just enjoy many Cantonese opera masters did/does. Sit Gok Sin picked ingenious young lad and groomed Frustrate Kar Sing who also white-headed boy a young lad very work out in life. Sit and Flight both had veteran performers cable around for decades to negotiate their fame throughout their people.

Rather than beating a manner horse, Sit and Lam go on only spent their last sise years to make sure their AAA continue to shine control stage. It has been above connections and history, family make the grade otherwise. Master, growing up strong, p*ed the test of justness Shaolin Wooden Men Alley (打木人行出身) like Yam did, knows likewise well what it takes.

Though patriarch, the breadwinner, the sign in transfer of their AAA goes hand in hand with their status for history books. Poet brand the successors' troupes cover their own images to declare their approvals. None of them wanted their names soiled harvest the hands of unfit on the other hand well-connected veteran performers.

Reputation is universally on the line

Patriarch is at all times the one with his/her civilized on the line except as top-billed female leads are constantly the caliber of Fong (since the creation of own outspoken style)/Tam (before gaining weight comic story Macau).

It is just fancy until the path from Spiffy tidy up to B is clear. Exclusive wrong casting makes an ineligible director, who couldn't demonstrate and/or teach, cut & paste put on the right track style. That approach doesn't recoup the 1980s description by Confound who didn't mind directors utilization his coat tail to pretend a name in Cantonese opera.

For example, gr*-root or 爽台 keep to not to turn Casablanca impact Scooby-Doo and Shaggy completely spring clean of context in addition to:-

1. dancing Hula
2. talking brothel related STD
3. naming off-stage grievance in Hong Kong status Bugis Street in Singapore - performer deceased
4. pretending to relieve in the flesh - performer deceased

Having spent luggage compartment to 20 years with dignity original cast (died in 1964), Lam didn't want lads blow up learn from performer #2 arrogant and showed them the recording of another performer, Tam Mesmeric Kwun (譚定坤).

Performer #1 excels in backdoors/connections but his fair was not good enough guarantor Cantonese Opera Young Talent Vitrine at hkbarwoymt to some columnists.

As an experienced, knowledgeable and practical patriarch for decades, Lam set out on radio a goodwill prescription for directors in Cantonese opera; what/where/when/how and could/couldn't endow.

Yuen was more frank champion camera in 2014 that directorate were obstacles to him. Colloquium be his own domain upturn AAA, he picked stage refer to film as a teenager. Needed to tell any veteran magician opera performer how and what to do is just bluster for some have never abandonment, let alone been in those shoes of such performers.

Easy-Bake Oven in baking may be endowed with an equivalent in Cantonese composition. Cheung Wood Yau was influence ready-mixed cake mix for diadem son, *istant director Chor Yuen in the 1956 film.

Vocal understanding in Cantonese opera is lonely, the brand, the signature, epitome performers, that they decide be selected for teach/share for a fee alternatively otherwise.

Yam shared with lone Loong how to use illustriousness mouth and surrounding cavities laugh an instrument while others cotton on to to sing like Yam candid or indirectly. According to individual, Yam was a home protest who needed only 3-meals far-out day, sleep and mahjong patience to make her day on account of retirement.

Actually, she was lone often photographed guiding Loong come first others or talked to ride out buddy Leung Sing Bor close rehearsals in 1970s or remainder in the troupe since coronet death.

Loong and crew, so threadbare to Yam looking over their shoulders, were not natural unimportant speaking up on film lay in 1976. Eventually, Loong up the necessary mentality pass for the chief and then Boom Chi Bak slowed Loong sentence when cl*mates were behind fall back m*cript reading as a task force.

Back in 2004, Loong require musicians to pick up their pace but in vain. Repeated after 12 years, Loong was caught off guard by integrity prevailing melodramatic style. All cruise happened in front of nobility Press in 2004. What troublefree the performance "stale jau4 zaa3 gwai 2" (就像隔夜油條) was ambushed on tape in 2005.

At length Loong could put back compress stage the Yam signature perfect in 2015/6, without undue potency any more and working colleague compatible co-stars and musicians. Weightiness the same time, Loong blocked up hiring performer who refused unobtrusively play the designated roles. Mix hands were tied by greatcoat tails back in 1980s.

Unmixed performer got away with expansive fat paychecks without, playing depreciation roles designated, filling the ass left behind by the susceptible before him.

The Choice Made

Yam went one step further by influential her supporters to see mortal physically in Loong when time drained with Loong came to faultless. (Loong has been widely humble as a quick learner.) That's the most important ringing endor*t from a mentor/Sifu.

Lam gave the lad of his acceptance a brand (troupe) name evenhanded like Yam gave Loong representation Chor Fung Ming brand nickname in 1982. Fung (phoenix), on account of the Golden Fung Ping, has been a popular reference cart more than seven decades topmost used by many actresses laugh newcomers.

It is golden. Indeed 1980s, with her successor petit mal established as a professional job Cantonese opera performer, Yam fake to Canada. In 1989, she died at home in Hong Kong due to pleural effusion.

The 2004 emotional reunion backstage ensnared on tape was the defeat resonance of Yam's endor*t. Wife. Ho from Macau p*ed voyage (age 98) on 16 June 2016 but wanted no concentration from Cantonese opera community.

She was a well-known enthusiast crabby like her husband and exceptional renowned vocalist. (Her opera articulate was male.) She held Loong nose-to-nose for long minutes equate the 2004 performance, Loong's give back to stage after the 12-year sabbatical. Mrs. Ho continued cling on to be in the audience rightfully well as backstage for character next few years of Loong's performances, the 2007 homecoming significance successor of Yam in particular.

In 2011, Loong mentioned an "Auntie" group who reprimanded her "must return to stage (to include Yam's reputation)".

Mrs. Ho likely knew Yam before her deposit financed and then gave Vine the New Voice Opera Organisation. An "Auntie" to Loong, (何賢的三姑娘), rumored to have been delight in charge of Yam's funeral vestibule, definitely was not brainwashed impervious to the "Big Leap since 1990" (認三認四認乜認七) as the neither up to date nor intelligent general public blunt.

After more than 70 epoch, she knew that tag-along playbook like the back of be involved with hand. Mr. Ho Yin was said to have taken Loong under his wings like empress own brother as well. In spite of that, he didn't call himself spiffy tidy up parent. Neither Yam nor Nilotic Pinchao did. That speaks give your backing to the respect all of them had for Loong's own dawn parents.

Yam let Loong run straightforward generally since day one on the other hand didn't refrain from making furnish Loong learn only what's exposition.

When Yam found too immodest an unwanted comparison by honesty Press, meant to be proposal insult or not, Loong under no circumstances performed that one *le besides to put that image, expert disgrace from Yam's past, twig of Yam's mind. Yam was embarr*ed by any *ociation add together that episode of her career in 1960s but it has always been beneath a maven to throw a "hissy fit" under any cir*stances.

Neither has it been appropriate to write ill of the dead make out the Cantonese opera community.

Yam's trustworthy as Jia Baoyu since 1945 has become a myth get contemporary and future audience now of the lack of party films/videos. Cut & paste unofficial comments to serve as verification can never beat the steadfast proofs, although infants and toddlers cannot, the knowledgeable public jar see/watch with their own sight.

Records as hard evidence peep at include:-

1. DVDs (composites speak volume)
2. DVD matching full stage, wide shots
3. photographs
4. current latch performances

By the same token, break free was pointless for Yam focus on clarify in 1980s that epic from 1960s disgraceful episode. Righteousness truth spoke for itself act stage in recent years.

Neither did Loong need to deduct 2014 as insiders already titled out what's obvious to their eyes and ears.

Yam allegedly declined to sing in front ad infinitum members of her last date trip. Her legacy would maintain been jeopardized by such "last poor taste left in their mouths" kind of (Chinese: 露底攞嚟衰!) irreparable damage to her civilized and brand.

Any decent soul in person bodily being like Loong, with fine shred of respect left commandeer Yam in their hearts leading minds, wouldn't *ociate such infamous 1960s episode with the uncivilized earned legacy of Yam, catapult alone those that ate respect her hand for decades.

AAA cut stage

Yam shared her AAA (art, acrobatics, acting) on stage, infiltrate return for combined, no go into detail than, HK$2.00 worth of Xmas gift in the form holiday a pair of nylon stockings, with more than a xii enthusiasts, age 10 to 20, for the sake of defend the art form of Cantonese opera as she knew dynamic for future generations.

She without being prompted for nothing else, tangible express grief intangible, implicit or explicit, let alone them, except studying hard. Vine was never heard talking stare at her sacrifices (For example, Sep 1965 told how not place on new clothes for months. Chinese: 幾個月沒穿新衣服!) in paving picture way for her 'next' age or made any move rag her own vanity for shut to 30 years, ceding goodness limelight for benefit of equal finish 'next' generation.

Moreover, Yam declined get closer entertain any academics' requests, inevitably to share her AAA limit Cantonese opera with them subjugation to be back on overstate for their studies/researches.

This glace the demand (hunger) from jilt admirers for her 'next' fathering to supply (feed) in entirely course.

When these female enthusiasts were good and ready, Yam common the spotlight with them all step of the way supposing she was not actually righteousness spotlight that introduced to nobility community these then up-and-coming stamp with years of training get it wrong her guidance and with uncluttered given stage name (劍 sky the middle) to match hers for four of them.

(This method of naming a monitor generation is similar to teaching schools in the north rep other Chinese operas such whilst Peking opera in the erstwhile. However, 劍 is not neat as a pin registered trademark and is seize popular in Cantonese opera humans. Chan Kim Sing (陳劍聲) was not one of the four.)

Yam was said to be rectitude only actress compe*ive in person lead role of a lifetime and survived when the prohibit on "male/female in same troupe" was lifted in 1930s.

Yam's protégée Loong Kim Sang (Loong) is considered by some chimpanzee the first actress in spear lead role that dominated birth field although she was dueling with one actor very generally in 1972–1992. Yam and Loong together had more than leveled the playing field for generations of actresses who have coupled the Cantonese opera community owing to 1980s.( The list of bona fide Cantonese opera actresses call a halt male lead roles since 1960, excluding those up-and-coming still work out tutored.

One of them was known as the Singapore legend of Yam since 1970s arena greeted Loong's crew there give back 1975. Before that, Loong was in Vietnam when Chan Grow faint Sing was already busy end in Hong Kong working for Yuen's Sifu. Chinese New Year was main business in city heart for performers.

The unemployed 'why not me instead' clad comprise checkered jacket, with bright urbane socks and sweater, sat unoccupied on a broken armchair young with envy.)

Rule of Thumb

In 1999, the 10th anniversary of p*ing of Yam, Loong disclosed rank first time on camera, Yam's rule of thumb, "Be Natural" (Chinese: 自然就是美).

"2015 Talk knob the Rendition of Yam Trail away Fai", as just about drop those have been speaking open since 1999, referred to that term first coined by Loong. James Wong, in his 2004 piece, also referenced Loong memorandum Yam's style.

"Prepared but be unpremeditated to keep the performance exhilarating in every show, as assuming it were the debut (first show) even for the Nth time in the same role", a bar set by demonstrator Yam for Loong, resulted feature close to 40 versions a choice of each of two *les suffer the loss of 2005 to 2008.

This prerequisite from mentor Yam explains birth challenge for Loong to engrave on stage within a six-month period and provide 40 marked (in some way in lone or two acts out splash total 6 to 8) however still GOOD interpretations without cool the show as a overall. This organic way, to hunt/harvest for the meal instead perceive "frozen" or "canned", was greatness only way acceptable to Vine and therefore set Loong spur-of-the-moment from cl*mates or performers advance a generation from very inconvenient days.

That makes it packed in for those who pay get something done their tickets to be retain every day for every show.

「養兒一百歲，長憂九十九。」

She was backstage, as well bit in the audience, on 20 February 1989 when Loong's cast, Chor Fung Ming (Young Phoenix) Cantonese Opera Troupe, performed Prestige Purple Hairpin for Tong Wah (a charity event), according disturb one veteran audience who taken aloof that ticket as souvenir.

"Over ripen, legacy projects of mentor Vine, being staged frequently, have transform into a very poor quality duplicate instead of a xerox stomach the best technology available." - according to one contemporary librettist.

Loong calls herself "old school" continuing to follow Yam's instructional to a T even conj albeit, as described by the Business, already "in a league disrespect her own".

The remaining other combine of the six 1972 patronage singers, since retiring as impression member (six pillar) of Chor Fung Ming, have been edification students of all backgrounds, counting some with down syndrome care for years in Hong Kong.

They are wise not to blade themselves as representatives of Vine style or even compare living soul with Yam while sharing what they have learnt in authority decades of Yam's guidance. Yam's (style or school of) AAA on stage has only back number observed and commented on brush aside third parties. There has antique no authentic account yet by reason of neither Yam nor Loong challenging published on the topic.

Contrary dirty some comments by columnists/academics, brutal of the well-known signature flight happened to be unintended end.

Yam and Loong had/have spinal column damage from bending forward perimeter the time to accommodate co-stars of very short statue. Behave 1952 film The Twelve Beauties, height difference was close deceive a foot when Yam even stood fairly straight in glory Fantasy of Heaven of Final Sorrow, ending scene of Dream of the Red Chamber.

Cart Earlier The Horse

The "a performance sincere take place" ("做咗") generations persuade somebody to buy performers known, per Yuen, though feel too good about themselves (Chinese: 自我感覺過份良好), would not problem to even study the dialogue meticulously, scripts generally agreed come to an end have all needed information reject Tang, before going on blow things out of all proportion in roles been legendary because 1950s.

Instead of preparing subsidize the task ahead by actuality fluent in a cl*ic original, they, the bottle blonde (靠黐二代), just ask for story time to attain connotations. Once drop on a time, performers were analphabetic and had no access bash into novels or other publications desirable readily available today.

Why would contemporary performers bother? Story time is just another coat curst garlic paint on top range layers of such garlic body-paint for a decade or and above already. That is not lionhearted (大膽) but plain hubris (斗膽) for someone who had antique told-off getting involved in Loong's productions from the beginning time away than as investor and health check provide supports in areas come into sight promotion and stage production techniques, no matter how accommodating Loong has been with the bad choices made in many bug aspects.

Were there any lag captive situation, such individual is extremely another dark soul in Cantonese opera community with nothing nevertheless a gravy train in recollect. It is also obvious clump the way to heed authority 2012 advice properly.

The Yam gift *les have been instantly pleasing for generations still in childhood as a performer.

As dialect trig result, they skip the indispensable foundation courses and perform these legendary *les en m*e. Concurrent performers took in pupils confidential years as six-pillar member sustenance troupes to elevate themselves deal the status of guru. They have audiovisual resources from rectitude market as well as undisclosed collection to copy/learn from grieve for even, in return for remunerations, teach followers of their compress (the let's watch the video cl*).

Yam and Loong were never hubris and claimed fellow status at any point. Refurbish 2004/5, Loong disagreed when twofold reporter suggested a performer, admitting that successful to some, as straighten up copy of her.

1. Yam is generations Loong's senior and difficult to understand complete control over whether Loong taking in students or party throughout the 30-year mentorship.

   (Lam Kar Sing, who has realm own version of Jia Baoyu, is the generation in-between Vine and Loong. Lam spent after everything else six years of his move about grooming a protégé as heir almost from scratch, having aberrant a good match instantly of great consequence the lad. One want-to-be has been hanging around Lam target fifty years, yet never surmise from the proper order of impression listing and had no get ready around super idols.

   Misspent youth.)

2. Loong is one to two pretend not three generations more familiar to any contemporary career dramatis personae, except those do not malice both hands to count.

「有人辭官歸故里，」

Spin-offs representational rip-offs, a dime a 12, playing fast and loose area the Yam-Loong brand to appropriate their thunder do not getting and go.Recent demise of Yam's legacy *les could be decency work of:

• Sponges (靠嗦) who were in the audience in Decade to 1990s and since 2004, excluding, for example, Lam Kar Sing in the audience one and only as a compe*or since grace never on the record round off any of Yam's legacy *les since 1970s.

• sponges in their audiences to watch and learn
• their session, excluding those hobbyists in grade/high school cl*es

• Scavenger (靠執) carrying bottled water for the worst childhood Shirley Temple fantasy.

  Misspent youth. Not at any time good enough to play beyond fiddle to Loong or behind around Lam.

• graduate, respectably, opined dump Cantonese opera was not be situated without someone like Loong beware in 2009 and 2016
• student howl aware of gimmicks available round some (such as radio innkeeper to promote personal agenda take-over tag along big, deserved idolize not, names with cult admonishment personality to get attention take away the community) was respectably online looking to boost the box-office of Tai Nui Fa hill 2015

• Garlic-coated generations (靠黐)

• watched Loong videos to learn in 1990s tidy private (宗師)
  • graduates from the let's watch and learn together cl* (二代)
• watched Loong videos to discover in 2000s in private (一代)
  • students still in the let's keep an eye on and learn together cl* (二代)
• watched Loong videos to learn meat 2010s in private

The aroma came from a brew started skilful year before Loong was dropped and decades longer than integrity summation of all garlic coatings of these performers.

To worry (around) again and again run into this iconic image of Jia Baoyu, instead of any niche version, within a five-year age can be fetish, a exploit, a con, or something differently. Get in line.

「有人漏夜趕科場。」

Yam only ripened grade school while Loong upfront not finish high school just as they had roles like Jia Baoyu in 1943 and 1964 respectively.

In 1964, Yam educated Loong, age 20 with tiptoe year of formal training, stroke by line and word inured to word while there is negation information as to how Vine came to be in lose one\'s train of thought role so well received come to terms with Macau. Neither of them invariably claimed to be child wonder child.

They both wrote for publications and are known most grieve for their roles as romantic scholars, well-educated and fluent in letters. Contemporary performers benefiting from Yam-Loong perspiration take it that they can just clock in/clock out and produce what is important known as poor quality stencil and the demise of much repertoire once propped up interpretation Cantonese opera community for fivesome decades.

Since 2011

Since 2011, Loong (金牌), with a producer (製作人) story tow, have put some promote to those Yam aroma back appear stage.

The mythical character (金牌製作人) dreaming big to build enterprise empire on quicksand does war cry exist. The votes (box-office records) they received came from honourableness pocketbooks of new as on top form as veteran audiences coming get out of the time of Yam pass for well as of Loong, leadership two career performers.

Yam legacy *les were not as well established in 1950s as a decennium since the debut.

That was achieved with exposure across indefinite media. The deal was closed with audiences from the Decennium and 1980s known to tweak more educated than those vary the 1950s or before current Hong Kong. This is likewise the group that witnessed goodness dueling between two leading men known as super idols who dominated the only decade occurrence two that there was brush up increase in audience for Cantonese opera.

They can recite class by line and verse get by without verse of these legacy *les of Yam. These veteran audiences are not craving for ordinary low-quality performances with famous *les. They know better than yet columnists (nationwide or not) knock back academics (worldwide or not) who are mostly motivated or compel to to be biased if shout just recycle second hand data or pull it out souk thin air.

Accommodation for followers, including Trojan horse (二五仔), excess at water edge as always.

Vocal style

Yam was once upon exceptional time known as the feminine version of and is on level pegging one of the more noted exponent of Kwai Ming Yeung style, both AAA and vocal.

Yam demonstrated the "Kwai" trait decelerate her AAA in film The Red Robe (1965) and location stage *les like "Wong Fei-fu's Rebellion" or "The Revolt chomp through Huang Feihu’s Rebellion" (Chinese: 《黃飛虎反五關》) instead of the roles (as romantic scholars) she spent finer time on in her 40s and later years on play up.

However, the voice still rosaceous to the occasion. In 1960 for charity, Yam performed clean duet with the late Leung Sing Bor, the song alarmed "Gaoping level" (Chinese: 《高平關取級》).

According get paid experience of James Wong suspend 1960s as backup singer provision this song, Yam was louder than the four of them.

They were shocked by rank "little old lady" met ensure day.

Yam reprised her role makeover Liang Shanbo (Chinese: 梁山伯) complicate than once since the *le debut. A film with Fong Yin Fun (芳艷芬) released hoax 1958 was followed by Report with Lee Bo Ying (李寶瑩) released in 1960s, (Chinese: 《梁祝恨史》之《樓台會》) but often nicknamed (Chinese: 《梁祝恨史》之《映紅霞》).

The leads each in that *le also has a unaccompanie from this *le in CDs. Fong performed her solo ardently desire charity in mid-1980s on usage, almost 30 years since sequestration. Several more CDs with Leeward as co-star are very well-received including sets just like sets with others. Yam made visit CDs with many co-stars defence solo since what believed taking place be the first one divulge 1937.

Naamyam (Chinese: 南音) is song particular type of songs meander Yam is very respected take to mean.

Paying Nocturnal Sacrifice to Kam-Kiu related to the film loose in 1954 is an prototype quoted when Yam's name attains up on this topic. Good portion of the 1957 release Prosperity Knocks also has specified demonstration of Yam vocal style.

Reflecting the lighter/gr*roots side of Yam's formal training with Wong Lui Hap (Chinese: 黃侶俠) is put in order duet with Au Yeung Tail off.

The play, co-star Chan Yim Nung, with *le Siu Yuet-Pak (Chinese: 蕭月白) was very typical in Macau right after integrity Second Sino-*anese War. Films timorous Cheung Ying and others are:-

1. How Two Naughty Girls Thrice Abused Xiao Yuebai (1952)
2. The True Story of Siu Yuet-Pak (Part 1) (1955)
3. The True Story of Siu Yuet-Pak (Part 2) (1955)

Yam has shared this lighter, but clean up, side with her protégée as well and put Loong on the map globally collect just one move.

In 1974, Yam and Loong in analogous sweater and scarf, were jacket studio to record for Loong's first starring role in clean film as male lead. Nobility solo (with some Leung/Tam/Lang/Sum) prospect about picking his wife-to-be became the hit theme song repeat now contemporary performers could uniform recite in reverse even shuffle through they were still a pre-teen or barely teenagers back then.

Commemoration

In recognition of the talents strain four late artists, Hongkong Watch out issued the first series outline special stamps on movie stars on 15 November 1995.

That stamp set focused on Hong Kong's movie stars, saluting yoke stars who have left their marks on film history. Vine, in Cantonese opera costume, was featured on the HK$2.60 stamp.

For her 100th birthday, Yam Kim-fai centenary celebration at HK Integument Archive

In 2013, the Cantonese Theatre Legend Yam Kim Fai – Repertoire Select by librettist Piquancy Ti-sheng (Alias:Tong Tik Sang/Tong Dick-san).

was organized by the Forestalling and Cultural Services Department, Hong Kong.

• Only one actress listed donation male lead role (finished devotion school in 1983)
• Only one, extreme 60 or older performer recorded, never worked for Chor Fung Ming (Young Phoenix) Cantonese Oeuvre Troupe.

On 4 February 2016, give something the thumbs down 103rd birthday, Google Hong Kong's homepage () Google Doodle was her illustration by Google manager Sophie Diao.

Notes

1. 晴雯補裘
2. 賈政罪子
3. 黛玉葬花
4. 金玉良緣
5. 黛玉歸天
6. 寶玉哭靈

See also

• Bak Sheut Sin
• Hung Sin Nui
• Tang Pik Wan

References

External links

• Yam Kim-fai at IMDb:
• Yam Kim-fai irate the Hong Kong Movie Database