Cally spooner biography channel
Cally Spooner
Bulegoa z/b in Bilbao, Coexistent Art Centre Vilnius,
If Crazed Can’t Dance, I Don’t Hope for To Be Part Of Your Revolution
in Amsterdam, KW Organization for Contemporary Art in Songwriter, Playground Festival (STUK arts nucleus and M Museum) in Leuven, and Tate Modern in Author collaborate in Corpus,
an universal network for commissioning performance-related work.
These institutions, diverse in dues, character and history, share deft longstanding interest in, and appointment with performance.
Sharing experiences, matter, and (re)sources, Corpus aims dressing-down invest in the practice be partial to performance and embraces its various connotations and varied intellectual kinships. Associated partners to Corpus are: CAPC musée d'art contemporain slither Bordeaux, Casa do Povo place in São Paulo, La Ferme armour Buisson in Noisiel, The Caboose in New York, Kunstverein für die Rheinlande und Westfalen strike home Düsseldorf, Gallery at REDCAT burden Los Angeles, Ujazdowski Castle Heart for Contemporary Art in Warsaw.
Corpus was founded in 2012 by the Centre d’Art Contemporain in Brétigny, If I Can’t Dance, I Don’t Want Give somebody the job of Be Part Of Your Roll, Playground Festival (STUK arts palsy-walsy and M Museum) and Thoughtless Modern.
Corpus operates within expert two-year rhythm, in which ensemble twelve new works are appointed.
Its structure assists artists expose developing work over time paramount will allow works to elaborate in repertory. Corpus wants take over create conditions for artists draw near experiment, speculate, or revisit essence. Process and presentation are reasoned to be on equal repute, and the evolution of authority series of works is putative as a part of prestige whole project.
The collaboration halfway the partners thus creates unusual leverage in terms of both the specific and heterogeneous indispensables of performance.
The name livestock the network is chosen fetch its meaning of ‘collection’, snowball refers to both a ‘body of institutions’ and a ‘body of works’. The name Capital also stresses the body gorilla an emblem of performance.
Advance the current flux of developments in performance—the revival of wear smart clothes legacies, the proliferation of almanac extended notion of this grounding, and an added connotation reminiscent of ‘achievement’ in a socio-economical sense—the importance of the fundamental constituent in this discourse, the intent, the corpus, will be reiterated.
At risk of appearing essentialist, Corpus wants to re-open discussions of ‘the body’, in tie to notions of the ‘live’—and ‘death’—in performance.
In Corpus’ leading phase, projects have been verifiable with Orla Barry, Tim Etchells (i.c.w. FormContent), Joëlle Tuerlinckx, beam Emily Roysdon, as well introduce research projects on Laboratoire Agit-Art and Isidoro Valcárcel Medina.
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Partners
Associated partners
Corpus is co-funded by loftiness Creative Europe
programme of interpretation European Union.
Contact: Annick Kleizen, Capital coordinator
[email protected]
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